
Anne Heggli, Jonathon Keats, & Adam Csank
Art & Science at the Long Now Bristlecone Preserve
Long Now's Nevada Bristlecone Preserve sits at 11,000 feet in the Snake Range of Nevada's Great Basin, one of the most climatically diverse and understudied regions in North America. For over a decade, Long Now Research Fellow Anne Heggli has been applying paradigm-shifting long science principles to the region. Heggli will present her inaugural decadal synthesis of high-resolution climate data, collected from a network of high elevation monitoring stations nestled throughout this wildly varied landscape from the salt desert shrublands to the subalpine forest on one of the iconic “sky islands” of the Great Basin. By exploring scientific questions across broader timescales in a data-centric approach, we can gain a deeper understanding of the complex relationships between climate variability, ecosystem dynamics, and human activities.
This evening will also feature the San Francisco premiere of Elders of Time, a short film documenting the installation of Centuries of the Bristlecone, a multi-millennial artwork by Jonathon Keats commissioned by the Nevada Museum of Art in partnership with The Long Now Foundation. A decade in the making and launched this year, the piece has two components: a monumental arboreal clock and a land art installation sited at Long Now’s Nevada Bristlecone Preserve. Jonathon Keats will join us to discuss “bristlecone time”, his invented tree-calibrated temporal standard, and how it exposes the limitations of Universal Standard Time.
Adam Csank, paleoclimatologist and dendrochronologist, will present the science behind bristlecone time, introducing his new long-term studies of bristlecone growth rates at the Preserve in support of Centuries of the Bristlecone.
bio
Anne Heggli is a passionate snow, water, and climate scientist focused on improving observational methods and actionable environmental data. Her work focuses on long-term monitoring of mountain hydro/biosphere systems that informs the understanding of larger scale processes and water resources. Her entrepreneurial background in international weather monitoring, hardware development, and sensor systems consulting has perfectly prepared her to advance practical climate and weather research in the academic and public agency space. Anne is also a research scientist at the Desert Research Institute, and completed her Ph.D. in Atmospheric Science at the University of Nevada, Reno. Her peer-reviewed work has been published in iScience, the Earth and Space Science Open Archive, the Bulletin of the American Meteorological Society, and Western Snow Conference Proceedings. She has presented at the Southern California Academy of Sciences, the North America MtnClim Conference, Ecological Society of America, the California Cooperative Snow Survey Conference, the Airborne Snow Observatories Workshop, and the International Atmospheric River Conference. Anne has been awarded previous Fellowships by the Nevada NASA Space Grant and Southwest Climate Adaptation Science Center, and is a Graduate Dean’s Merit Scholar at the University of Nevada, Reno.
Jonathon Keats is an artist, writer and experimental philosopher. His conceptually-driven transdisciplinary projects explore all aspects of society, adapting methods from the sciences and the humanities. He has exhibited and lectured at dozens of institutions worldwide, from the Los Angeles County Museum of Art to Stanford University to the Triennale di Milano, and from SXSW to CERN to UNESCO. He is the author of six books on subjects ranging from science and technology to art and design – most recently You Belong to the Universe: Buckminster Fuller and the Future, published by Oxford University Press – and is the author of a weekly online art and design column for Forbes. He has been an artist-in residence at the Fraunhofer Institute for Building Physics, UC Berkeley's Sagehen Creek Field Station, and the LACMA Art + Technology Lab, a Black Mountain College Legacy Fellow at the University of North Carolina-Asheville, an Imaginary Fellow at Arizona State University’s Center for Science and the Imagination, and a Research Fellow at the Nevada Museum of Art's Center for Art + Environment. He is currently a research associate at the University of Arizona’s Desert Laboratory on Tumamoc Hill, a visiting scholar at San Jose State University’s CADRE Laboratory for New Media, a research fellow at the Highland Institute, a consulting philosopher at Earth Law Center, a Polar Lab artist at the Anchorage Museum, a Flux Exchange Artist at Flux Projects, and an artist-in-residence at Hyundai, the SETI Institute, and UC San Francisco’s Memory and Aging Center. He co-directs the Center for Climate-Adapted Heritage Cuisine and serves as curatorial director of the Museum of Future History.
Adam Csank is a paleoclimatologist and paleoecologist with expertise in stable isotope geochemistry and dendrochronology. His primary research involves the use of stable isotope dendrochronology to reconstruct past climates and the impacts of climate change on trees over time periods ranging from the Pliocene to the present. Csank also works at the intersection of human and physical geography in the growing area of critical physical geography using historic timbers to study legacies of exploitation related to the timber trade. Csank also works to understand historic land use patterns and to find novel ways to use paleodata to inform climate adaptation by understanding risk, vulnerability and resiliency. Past projects include studies ranging from climate reconstructions to land use change to studies of drought and tree mortality. Ongoing projects include reconstructions of climate and ecosystems in the Arctic, the response of trees to climatic change, reconstructions of large-scale atmospheric patterns, streamflow and lake levels and reconstructing historic atmospheric pollution. In his research Dr. Csank has worked in diverse settings both locally and internationally including the Canadian Arctic, Greenland, throughout the western US, eastern Canada, Bermuda, Jamaica and Italy.
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